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Ignorance | Philip Larkin [Dec. 18th, 2009|01:30 am]

theysaid

[notacrnflkgirl]
[Tags|]

Strange to know nothing, never to be sure
Of what is true or right or real,
But forced to qualify or so I feel,
Or Well, it does seem so:
Someone must know
.

Strange to be ignorant of the way things work:
Their skill at finding what they need,
Their sense of shape, and punctual spread of seed,
And willingness to change;
Yes, it is strange,

Even to wear such knowledge—for our flesh
Surrounds us with its own decisions—
And yet spend all our life on imprecisions,
That when we start to die
Have no idea why.
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HEY HEY [Dec. 17th, 2009|09:06 pm]

carrieaki
[location |work]
[mood | bored]
[music |boring opera christmas music]

who has a PAID lj account?

anyone want to send me the $10 off coupon??? please :) ?

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Juliana Spahr - Some of We and the Land That Was Never Ours [Dec. 18th, 2009|09:59 am]

greatpoets

[crashing_buses]
Note: Someone was singing we are all in this world together. There were some grapes. Someone was feeding the sparrows, making them perch on the thumb and eat out of the hand if they wanted any food. The sparrows preferred to eat on the ground. In memory there was a story of a French grandfather who left early in my father's life, moved to Canada, and died by falling off a horse. We were tourists. There were long lines. My mother waited in them. I sat outside and took notes. I thought about the vines that grew in France, then came as cuttings to California, then went back to France after a blight. I thought about who owned what. And divisions. And songs sung in bars. And inaugural poems. I was just trying to figure out this day. I came home and used a translation machine to push my notes back and forth between French and English until a new sort of English came out, this poem.


1

We are all. We of all the small ones are. We are all. We of all the small ones are. We are in this world. We are in this world. We are together. We are together. And some of we are eating grapes. Some of we are all eating grapes. Some of we are all eating. We are all in this world today. Some of we are eating grapes today in this world. And some of we let ourselves eat grapes. In the eating of grapes. We of all the small ones are what eats grapes. In the world of grapes. Eating grapes. We of all the small ones are what eats. Some of we are all together in the grapes. We of all the small ones are today in this world. In this world. By eating grapes. To eat grapes. Some of we let ourselves eat grapes today in this world. Some of we let ourselves be all together in the grapes. In the world of the grapes. In this world. In the grapes. In the grapes. In taste. In the taste. In fermentation. In fermentation. In wine. Out of the wine. In fresh tight skin. In the fresh tight skin. In seed. Out of seed. In moisture. In moisture. In today. In today. We are all in this world together. We of all the small ones are together in this world. In the we are all together. In we let ourselves be all together. Some of we are eating. Some of we let ourselves eat. Some of we are all together eating grapes. Some of we let ourselves be all the grapes to be eaten together. In this place. In this place. In the eating. While eating. In the grapes some of we are all eating. In all the undeniable grapes of we let us leave itself let ourselves be what eats. In the eating of grapes. By eating grapes. We are all today. We of all the small ones are today. The grapes in the eating. In the we are. In the are. In the grapes are. Eating grapes. In the we the world. In the together. Some of we are all in this world together eating grapes.


Read more... )
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Jibananda Das [Dec. 18th, 2009|12:02 am]

greatpoets

[suddenlynita]
When once I have gone out of this body
Shall I not come back to this earth again?
May I come back again
On some winter night
With the pitiful flesh of an ice-cold orange
To the bedside of some dying man I know

Jibananda Das
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Chirp [Dec. 17th, 2009|01:03 pm]

milestogo13
Oh the pointlessness you've been missing!

  • 12:15 Over! Finally! Jeebus! Now I can get back to more traditional leveling systems, so that I may exploit them in my more traditional manner. #
  • 12:26 Hey, I can put all my weight on my left wrist! #
  • 12:27 Hey, decompression still really frickin' hurts! But it's very localized now, at the site of the break. No shooting pains. #
  • 19:41 Son, if you're gonna karaoke Steve Perry, you better be damn sure you CAN karaoke Steve Perry. #
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(no subject) [Dec. 17th, 2009|09:24 pm]

byurie
Ոմանց համար պրեզենտացիայի պատրաստվելը մտավոր աշխատանք է, իսկ ինձ համար՝ ֆիզիկական: 
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Մանկական բզիկներս (Kelly Family) [Dec. 17th, 2009|08:09 pm]

byurie
[Tags|, ]

Նորից մանկական բզիկներս արթնացել են. կպել եմ Kelly Family-ի երգերից ու պոկ չեմ գալիս: Էդ էլ հերիք չի, YouTube-ում եմ կպել. համ նայում եմ, համ լսում: Ոնց որ մանկությանս մեջ եղած պակասը լրացնեմ. երբ վերադարձել էինք Հայաստան, նրանց նայելու հնարավորություն գրեթե չկար: Ունեի-չունեի, մի վիդեո կասետ ունեի, սաղ օրը էդ էի նայում: Ուրիշ բան չկար: Հա, մեկ էլ Պրահայից ստացված ժուռնալները, որոնց մեջ լեն ու բոլ հոդվածներ կային նրանց մասին: Էսօր էլ "An Angel"-ն իմ սիրելի Պատրիսիայի կատարմամբ հայտնաբերեցի: Հա, գիտեմ, որ անճաշակ եմ: Նայեք:
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. [Dec. 17th, 2009|04:18 pm]

greatpoets

[thetasteless]
[Tags|]

The Intruder
by David R. Slavitt


He broke in, picking the lock, or having stolen
a key, and he knew the code to disarm the alarm,

some homeless guy, a crazy street-person, harmless
you’d think, but you’re wrong: he likes it here, and he stays.

He rummages through my closets and dresser drawers
and tries on my clothing, which happens, of course, to fit him.

He runs my comb through his hair. He uses my toothbrush.
He lies down on my side of the bed for a nap.

He has settled in. In the mornings, he sits at my place
and has his coffee and toast, reading my paper.

He borrows my car and drives to meet my classes;
during my office hours he meets with my students.

We don’t look at all alike, but he’s living my life.
I try to signal my friends with whom he dines

or my wife with whom he is sleeping: "This isn’t me.
He’s an impostor. How can you not have noticed?

He’s old! He’s nasty. Also, he’s clearly crazy!
How can he fool you this way? And how can you stand him?"

They pay me no mind, pretending not to have noticed.
Could they somehow be in on this together?

But what is his purpose? Was he also displaced
from apartment, job, and wife? Did that turn him desperate?

And must I go out now myself to find a victim,
break into his house, and begin living his life?
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Identity Crisis // F.D. Reeve [Dec. 16th, 2009|11:03 pm]

theysaid

[iatrogenicmyth]
He was urged to prepare for success: "You never can tell,
    he was told over and over; "others have made it;
    one dare not presume to predict. You never can tell.	

Who’s Who in America lists the order of cats
    in hunting, fishing, bird-watching, farming,
    domestic service--the dictionary order of cats

who have made it. Those not in the book are beyond the pale.
    Not to succeed in you chosen profession is unthinkable.
    Either you make it or--you’re beyond the pale.

Do you understand?"
                   "No," he shakes his head.
    "Are you ready to forage for freedom?"
                                          "No," he adds,
    "I mean, why is a cat always shaking his head?

Because he’s thinking: who am I? I am not
    only one-ninth of myself. I always am
    all of the selves I have been and will be but am    not."

"The normal cat," I tell him, "soon adjusts
    to others and to changing circumstances;
    he makes his way the way he soon adjusts."

"I can’t," he says, "perhaps because I’m blue,
    big-footed, lop-eared, socially awkward, impotent,
    and I drink too much, whether because I’m blue

or because I like it, who knows. I want to escape
    at five o’clock    into an untouchable world
where the top is the bottom and everyone wants to escape

from the middle, everyone, every day. I mean,
    I have visions of two green eyes rising
    out of the ocean, blinking, knowing what I mean."

"Never mind the picture, repeat after me
    the self’s creed. What he tells you you
    tells me and I repeats. Now, after me:

I love myself, I wish I would live well.
    Your gift of love breaks through my self-defeat.
    All prizes are blue. No cat admits defeat.
The next time that he lives he will live well."
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(no subject) [Dec. 16th, 2009|05:53 pm]

greatpoets

[fleaux]
Star Dust
By Frank Bidart

Above the dazzling city lies starless
night. Ruthless, you are pleased the price of one

is the other. That night

dense with date palms, crazy with the breath-
less aromas of fresh-cut earth,

black sky thronging with light so thick the fixed

unbruised stars bewildered
sight, I wanted you dazzled, wanted you drunk.

As we lie on our backs in close dark parallel furrows newly

dug, staring up at the consuming sky, light
falling does not stop at flesh: each thing hidden, buried

between us now burns and surrounds us,

visible, like breath in freezing air. What you ignore or refuse
or cannot bear. What I hide that I ask, but

ask.
The shimmering improvisations designed to save us

fire melts to law. I touched the hem of your garment. You opened
your side, feeding me briefly just enough to show me why I ask.


Melancholy, as if shorn, you cover as ever each glowing pyre

with dirt. In this light is our grave. Obdurate, you say: We
are darkness. We are the city

whose brightness blots the stars from night.
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Subha-e-Azadi / Dawn of Freedom - Faiz Ahmed Faiz [Dec. 16th, 2009|11:33 pm]

greatpoets

[kairia]
I can't trust myself to do an adequate job of describing Faiz Ahmed Faiz so hit google or Wikipedia for that. "Dawn of Freedom" was written on the subject of the 1947 partition of the subcontinent into Pakistan and India and for me, the poem's message still lives today. Of course I realize the irony of posting this on December 16th but couldn't resist. /ramble Both the English translation and original Urdu have been provided =)

AUGUST 1947 - DAWN OF FREEDOM
This tattered raiment of darkness
This sputtering of dawn.
This is not the dawn that we had hoped for.
This is not the dawn we had set out for.
Through the darkness,
Towards the last station of the night stars;
Hoping to find the end of our journey,
Somewhere on the distant shore
Of the languishing sea of night,
Where our sorrow-laden ship
Would at last come home to anchor.

Through youth's warm blooded venues
As we traveled,
Many a hand tugged at our cloak
From beauty`s sleepless abode
Many arms and bodies beckoned us

But very dear was the blush of dawn,
And inviting was the glowing raiment
Of the maidens of light.

Brisk was then the desire
And suppressed entirely the thought of fatigue.

Darkness now has cleaved from light,
We hear.
The Journey has finally now ended,
We hear.

How changed are the rules
For those who have struggled painfully.
Permitted now only is the pleasure
From the delusion of attainment;
Forbidden is the persistent pain of struggle.

Alas! Though the spark of vision,
The fire raging in the mind,
The heartache, none has dimmed.

From whither came the gust of dawn's breeze,
And where did it go?
The flickering lamp on the wayside,
Does not know.

The darkness of the night has not ended yet.
The moment of liberation of hearts and minds
Has not come yet.
Keep going, for we have not come
To the end of our journey yet!

Original text of the poem, in Urdu )
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Refusing the sweetness [Dec. 16th, 2009|01:25 pm]

greatpoets

[velvetine01]
[Tags|]

Hunger | Jack Gilbert

Digging into the apple
with my thumbs.
Scraping out the clogged nails
and digging deeper.
Refusing the moon color.
Refusing the smell and memories.
Digging in with the sweet juice
running along my hands unpleasantly.
Refusing the sweetness.
Turning my hands to gouge out chunks.
Felling the juice sticky
on my wrists. The skin itching.
Getting to the wooden part.
Getting to the seeds.
Going on.
Not taking anyone's word for it.
Getting beyond the seeds.

from Monolithos
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Chirp [Dec. 16th, 2009|01:02 pm]

milestogo13
Oh the pointlessness you've been missing!

  • 13:02 Christmas shopping, stop! All covert operations complete. Mission accomplished, gentlemen. WMDs for everyone! #
  • 16:38 Just sat in a turning lane for 5 minutes, without exaggeration, because of how Macon's lights are timed. #
  • 16:39 Yeah lady, it's a crosswalk, but that crosswalk is for brisk walking perpendicular to the street, not a leisurely amble of a diagonal sort. #
  • 16:39 Yay for honking at pedestrians and making them drop their phones! #
  • 16:41 You are shopping the left of the aisle, your spawn are playing on the right, your cart is in the middle. I hope you go to the special hell. #
  • 16:43 10-15 people in every cashier's lane, four self checkouts with absolutely no one at them. Luddites. #
  • 16:44 I am armed with a bag of dog food. I suggest you walk faster. #
  • 16:47 Georgia public schooling obviously never covered the concept of lines in geometry. #
  • 16:53 Am blocked into my parking spot by a lady who saw a car three spaces up blink its lights, and insists on waiting for its human to arrive. #
  • 16:53 The temptation to scream "RAMMING SPEED!" while throwing it into reverse and gunning it is overwhelming. #
  • 16:55 I will, for personal vindication, be GraphJamming the inverse relationship between my mood and my proximity to the Tom Hill Kroger. #
  • 17:18 Three dungeons left, then I can scoop the rancid clump that is Final Fantasy II out of my sandbox and into the crapper where it belongs. #
  • 20:12 Have become addicted to The Sing Off, as is my a Capella whoredom way. Want it to come down to Nota and the Beelzebubs. #
  • 20:25 Please to be sending Maxx Factor or Voices of Lee home, kthxbai. Noteworthy was my original vote, but I think they edged up to fourth for me #
  • 20:39 SoCals were out of balance, leads were weak, and off tempo. If Maxx Factor weren't about to do Rehab, I'd say send them home. #
  • 20:49 1) Nota 2) Beelzebubs 3) Noteworthy 4) Voices of Lee 5) SoCals 6) Maxx Factor #
  • 20:58 ...what? No, no, wait, what? Maxx Factor gets to stay?! WHY?! They were the weakest group YESTERDAY, much less today! I call BS. #
  • 21:01 The eliminated group's SWAN SONG was better than anything Maxx Factor has done yet! I am livid, as someone with a musical background. Livid! #
  • 11:49 Final floor of the final dungeon of Final Fantasy II (NES) and the game designers are cheap hosers. #
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YES [Dec. 16th, 2009|03:41 pm]

darkgoldenrod
Photobucket
Ha! Goeie beoordeling!!!
Nu een triomph-taart in de maak en op naar de boekenwinkel om mezelf te belonen.
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Marfa, Linda Gregg [Dec. 15th, 2009|08:10 pm]

greatpoets

[moireach]
[Tags|]

Marfa
Linda Gregg

They said they were going to telephone me
here in faraway Marfa, Texas, to ask me about
my poetry, past and future. I am here struggling
with the desert and used-up words.
Stillness, sacred, death, peace and farness.
With God's body, dreamless and sleeping
while awake. Nothing between me and it.
Empty and willing to be judged by Heaven.
Readiness to be received. God might be the old
version who struck people down because somebody
asked him to. A kind of courtyard for the Mafia.
The desert after rain with a three-colored rainbow.
A place of your-guess-is-as-good-as-mine.
Christ as the sun going down when the border
patrol cars are dragging tires on the dirt road
every evening to look for footprints
the next morning. I keep thinking that if I go
alone into the size of this silence, we can
straighten things out. To know what to question,
and what to believe. How to let my heart
split open. To print in clear light
the changing register of this grand world.
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Robert Browning: A Grammarian's Funeral [Dec. 15th, 2009|04:02 pm]

greatpoets

[astrophage]
[Tags|]

A Grammarian's Funeral, Shortly After the Revival of Learning in Europe
Robert Browning

Let us begin and carry up this corpse,
Singing together.
Leave we the common crofts, the vulgar thorpes
Each in its tether
Sleeping safe on the bosom of the plain,
Cared-for till cock-crow:
Look out if yonder be not day again
Rimming the rock-row!
That's the appropriate country; there, man's thought,
Rarer, intenser,
Self-gathered for an outbreak, as it ought,
Chafes in the censer.
Leave we the unlettered plain its herd and crop;
Seek we sepulture
On a tall mountain, citied to the top,
Crowded with culture!
All the peaks soar, but one the rest excels;
Clouds overcome it;
No! yonder sparkle is the citadel's
Circling its summit.
Thither our path lies; wind we up the heights:
Wait ye the warning?
Our low life was the level's and the night's;
He's for the morning.
Step to a tune, square chests, erect each head,
'Ware the beholders!
This is our master, famous, calm and dead,
Borne on our shoulders.

Sleep, crop and herd! sleep, darkling thorpe and croft... )
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what poets do between poems [Dec. 15th, 2009|03:55 pm]

greatpoets

[velvetine01]
[Tags|]

Between Poems | Jack Gilbert

A lady asked me
what poets do
between poems.
Between passions
and visions. I said
that between poems
I provided for death.
She meant as to jobs
and commonly.
Commonly, I provide
against my death,
which comes on.
And give thanks
for the women I have
been privileged to
in extreme.

from Monolithos
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Stephanie Bolster - Untitled [Dec. 15th, 2009|03:48 pm]

theysaid

[sightempest]
Come to the edge of the barn the property really begins there,
you see things defining themselves, the hoofprints left by sheep,
the slope of the roof, each feather against each feather on each goose.
You see the stake with the flap of orange plastic that marks

the beginning of real. I'm showing you this because
I'm sick of the way you clutch the darkness with your hands,
seek invisible fenceposts for guidance, accost spectres.
I'm coming with you because I fear you'll trip

over the string that marks the beginning, you'll lie across the border
and with that view--fields of intricately seeded grain and chiselled mountains,
the cold winds already lifting the hairs of your arm--you'll forget your feet,
numb in straw and indefinite cow dung, and be unable to rise, to walk farther.

My fingers weave so close between yours because I've been there
before, I know the relief of everything, how it eases the mind to learn
shapes it has not made, how it eases the feet to know the ground
will persist. See those two bowls of milk, just there,

on the other side of the property line, they're for the cats
that sometimes cross over and are seized by sudden thirst, they're
to wash your hands in. Lick each finger afterwards. That will be
your first taste, and my finger tracing your lips will be the second.


----

(The first line is one of John Ashbery's "37 Haiku" in A Wave.)
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Մուշտուկապատում [Dec. 16th, 2009|12:36 am]

byurie
[music |Alanis Morissette - Hands Clean-easymp3s | Powered by Last.fm]

Կարծեմ՝ էլի եմ գրել, որ էս մորական պապս ահավոր սորտ ա: Դե բիձա մարդ, պարապ-սարապ, անընդհատ իրա համար զբաղմունք ա որոնում: Էս վերջերս էլ մեկ էլ լսում ենք՝ արհեստանոցի ստանոկները միացրել ա: Մտածում ենք՝ էս ի՞նչ հաշիվ ա, չլինի՞՝ սկսել ա էլի կրունկ սարքել: Հետո հայտնվում ա մեր տանը՝ ձեռին մի հատ սիրուն, թափ-թազա մուշտուկ:

Հաջորդ օրը էլի ա գալիս: Էս անգամ մի փունջ մուշտուկով: Մեր սաղ ծխողներին նվիրում ա, մնացածն էլ ուղարկում ա Վերնիսաժ ծախելու: Էս էլ մեր մուշտուկիստները.
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are requests okay? [Dec. 15th, 2009|12:10 pm]
theysaid
[indianoceans]
I was wondering if anyone would be able to comment with the full text of Stanzas, Sexes, Seductions by Anne Carson. It's in the book Decreation: Poetry, Essays, Opera. I read it at Powells a couple days ago, but didn't have a pen to copy it down, and it has been stuck with me since. Google isn't being very helpful.

Thanks!
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